Here’s a quote from Tim Ingold’s Making that describes how Maxine Sheets-Johnstone questions the synergies between embodiment and experience:
Comparison of the two pieces vividly demonstrates how animacy and embodiment pull in opposite directions: where the former is a movement of opening, the latter is bent on closure. For the living, animate beings we are, argues dance philosopher Maxine Sheets-Johnstone, the term ‘embodiment’ is simply not experientially apposite. We do not, she insists, experience ourselves and one another as ‘packaged’ but as moving and moved, in ongoing response – that is in correspondence – with the things around us (Sheets-Johnstone 1998: 359; Ingold 2011b: 10).
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